So, I'm apparently stuck in the Stone Age with my wired in-ear monitor system—because what’s more fun than wrestling a bundle of cables and making sure you don’t accidentally unplug your audio feed mid-solo, right? Seriously, has anyone mastered the art of untangling these ancient contraptions without ending up with a neck cramp or resembling a malfunctioning marionette on stage? And let’s not even start on the cable management; apparently, the "vintage aesthetic" now includes looking like you’re auditioning for a spaghetti commercial.
What’s the secret, fellow warriors of wired sound? Is there a trick to keep these cords from plotting their own backstage revolution? Or should I simply embrace the chaos as part of my performance art? Any brilliant hacks or are we doomed to forever tango with these analog nuisances?